Holocaust Cinema Complete, by Rich Brownstein Nathan Abrams is impressed by a comprehensive attempt to survey the ways Nazi atrocities have been represented on screen Nathan Abrams 12月 30日
Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television, by Brian E. Crim Nathan Abrams considers the many ways Nazi atrocities continue to echo through popular culture on screen Nathan Abrams 11月 19日
Household Horror: Cinematic Fear and the Secret Life of Everyday Objects, by Marc Olivier Nathan Abrams is intrigued by the creepy possibilities film directors have found in refrigerators, typewriters and shower curtains Nathan Abrams 8月 17日
Film as Embodied Art: Bodily Meaning in the Cinema of Stanley Kubrick, by Maarten Coëgnarts Nathan Abrams is impressed by a new approach to one of the great masters of 20th-century cinema Nathan Abrams 1月 30日
The Vietnam War on Film, by David Luhrssen Nathan Abrams would have liked a wider range of examples in this study of how America’s most traumatic war was represented in the cinema Nathan Abrams 11月 7日
The Shining, by K. J. Donnelly Nathan Abrams considers an attempt to unravel the mysteries of Kubrick’s cult masterpiece Nathan Abrams 6月 20日
The Coen Brothers: This Book Really Ties the Films Together, by Adam Nayman A primer on the work of the ‘two-headed monster’ teases out the Talmudic and Kubrickian influences on their cinematic universe, says Nathan Abrams Nathan Abrams 10月 25日
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, by Michael Benson Nathan Abrams admires an impressively researched, behind-the-scenes look at a science fiction classic Nathan Abrams 4月 26日
Hitler in Los Angeles: How Jews Foiled Nazi Plots against Hollywood and America, by Steven J. Ross When Goebbels and Hitler targeted Los Angeles, US officials did nothing. It was left to a Jewish lawyer to spearhead the resistance, says Nathan Abrams Nathan Abrams 2月 15日
The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, by Robert B. Pippin Nathan Abrams examines an impressively close scrutiny of the 1950s film Nathan Abrams 11月 30日
